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Everything in Life Is Resurrectionâ
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The Story
Drawn from eight acclaimed books of poetry and spanning forty years, Everything in Life is Resurrection: Selected Poems, 1982-2022, is 2021 Texas Poet Laureate Cyrus Cassellsâs long-awaited retrospective volume. Ellen Hinsey, in her compelling introduction, âA Lyric Poet in Dark Times,â heralds Cassells as âAmericaâs foremost lyric poet, who, under the pressure of adverse circumstances, has turned from his home in music to unflinchingly face the blood and havoc of his era's civil sphere.â Hinsey makes revealing comparisons with Yeatsâs trajectory from high lyricism to poems of lament and Irish Civil War witness: âwhen we read Cassellsâs work over the last four decades, we are aware that the music he hears is intrinsically intertwined with the noise of the worldâs destruction.â In addition, Hinsey lauds Cassellsâs always riveting language âcharacterized throughout by a highly visual and expressive vocabulary, one touched by the grandeur of Shakespeare and the authority of the King James Bible. There is a love of verb and noun, a richness of consonance and assonance, and a voluptuousness that makes a feast of description.â Mark Doty has said: âThe astonishing lyric fabric of Cassellsâs work is weighted, as true lyrics of the earth must be, with the sorrow and cruelty of history. The sparkle of light on waves, the âfoam and fish-scale blueâ of wild indigo can only be sung honestly beside the memory of the Middle Passage. One side of the song doesnât cancel out the other; they are held, in Cassellsâs sweeping oratorios, side by side.â
Description
Drawn from eight acclaimed books of poetry and spanning forty years, Everything in Life is Resurrection: Selected Poems, 1982-2022, is 2021 Texas Poet Laureate Cyrus Cassellsâs long-awaited retrospective volume. Ellen Hinsey, in her compelling introduction, âA Lyric Poet in Dark Times,â heralds Cassells as âAmericaâs foremost lyric poet, who, under the pressure of adverse circumstances, has turned from his home in music to unflinchingly face the blood and havoc of his era's civil sphere.â Hinsey makes revealing comparisons with Yeatsâs trajectory from high lyricism to poems of lament and Irish Civil War witness: âwhen we read Cassellsâs work over the last four decades, we are aware that the music he hears is intrinsically intertwined with the noise of the worldâs destruction.â In addition, Hinsey lauds Cassellsâs always riveting language âcharacterized throughout by a highly visual and expressive vocabulary, one touched by the grandeur of Shakespeare and the authority of the King James Bible. There is a love of verb and noun, a richness of consonance and assonance, and a voluptuousness that makes a feast of description.â Mark Doty has said: âThe astonishing lyric fabric of Cassellsâs work is weighted, as true lyrics of the earth must be, with the sorrow and cruelty of history. The sparkle of light on waves, the âfoam and fish-scale blueâ of wild indigo can only be sung honestly beside the memory of the Middle Passage. One side of the song doesnât cancel out the other; they are held, in Cassellsâs sweeping oratorios, side by side.â




