The Story
Theatricality is often dismissed as a distraction from ārealā politics, as when cynical political gestures are derided as āpure theatreā or āonly theatre.ā But the artists and theater companies discussed in this book, including Back to Back Theatre, Tim Crouch, Rabih MrouĆ, Nature Theater of Oklahoma, and Christoph Schlingensief, take a different approach. Theron Schmidt argues that they represent a ātheatricalist turnā that explores and tests the conditions of the theater itself. Across diverse contexts of political engagement, ranging from disability rights to representations of violence, these theatrical conditions are interconnected with political struggles, such as those over who is seen and heard, how labour is valued, and what counts as āpoliticalā in the first place. In a so-called post-political era, The Theatricalists argues that an examination of theatreās internal politics can expand our understanding of the theatricality of politics more broadly.
Description
Theatricality is often dismissed as a distraction from ārealā politics, as when cynical political gestures are derided as āpure theatreā or āonly theatre.ā But the artists and theater companies discussed in this book, including Back to Back Theatre, Tim Crouch, Rabih MrouĆ, Nature Theater of Oklahoma, and Christoph Schlingensief, take a different approach. Theron Schmidt argues that they represent a ātheatricalist turnā that explores and tests the conditions of the theater itself. Across diverse contexts of political engagement, ranging from disability rights to representations of violence, these theatrical conditions are interconnected with political struggles, such as those over who is seen and heard, how labour is valued, and what counts as āpoliticalā in the first place. In a so-called post-political era, The Theatricalists argues that an examination of theatreās internal politics can expand our understanding of the theatricality of politics more broadly.



